I’ve seen two main approaches to characters in improv scenes: playing characters that are just slightly different versions of ourselves (“Excited Randall” or “Despondent Randall” or “Sensual Randall”), or playing characters that are physically and vocally distinct from ourselves. The latter are generally more memorable, but can often devolve into caricatures that are difficult for [&hellip

About a month ago,  I went out for a walk. Early on, I passed a stranger on the street who held eye contact for slightly longer than normal, so I said “Hello” and he said “Hi” back. Even something as simple as that, just being acknowledged by a stranger, had a significant impact on my [&hellip

About a month ago,  I went out for a walk. Early on, I passed a stranger on the street who held eye contact for slightly longer than normal, so I said “Hello” and he said “Hi” back. Even something as simple as that, just being acknowledged by a stranger, had a significant impact on my [&hellip