I’d like to preface this by saying this is a much longer post than usual, but it is 100% worth the read. As promised, I would like to share a technique for creating new characters for each scene you do. I’ve heard many improv instructors provide this simple instruction for creating a character: make a physical [&hellip

This is part 2 of a 4 part series. These 32 items are compiled from a list that I brainstormed, and include principles that I learned in workshops from David Koechner, Micah Sherman, Mandy Butler, Kevin Patrick Robbins, Armando Diaz, Dad’s Garage, The Village Theatre, and Automatic Improv, as well as a few of my own thoughts. Reconnect to your scene partner. Focus on [&hellip

This is part 2 of a 4 part series. These 32 items are compiled from a list that I brainstormed, and include principles that I learned in workshops from David Koechner, Micah Sherman, Mandy Butler, Kevin Patrick Robbins, Armando Diaz, Dad’s Garage, The Village Theatre, and Automatic Improv, as well as a few of my own thoughts. Reconnect to your scene partner. Focus on [&hellip